An Endzeitgeist.com review
This GIGANTIC tome clocks in at 795 pages if you take away editorial, ToC, etc.. No, that is NOT a typo. While I was a backer of the kickstarter that made this book, I was in no way involved in the production of this epic tome.
All right, so the introduction tells us a bit of what this is: A take on Norse adventuring, with a healthy dose of the weird, fantastic and sword & sorcery sprinkled in. It should be noted that the 8 pregens from the Player's Guide, as well as the excellent "Winter's Teeth" stand-alone module from the "Long Night of Winter"-series are included in the back of the tome.
Okay, so this massive AP (and before you complain about the price, compare this tome's content with other APs and you'll notice you're actually getting an excellent deal...) is situated within the Northlands of the Lost Lands, and as mentioned in my reviews of Player's Guide and the stand-alone plug-in-module-series, it gets the flavor of the North, what makes the culture work etc. rather well - but unlike in those previously-mentioned tomes, we begin this tome with a massive, mapped and lavishly-detailed sourcebook section that explains the peculiarities of the region not only on a local, but also on a global scale.
As mentioned, one central fixture, theme-wise, would be the blending of the fantastic and the general aesthetics of the sögur with the fantastic, so one should not expect historic analogues in the traditional sense; however, the book is very strict in its adherence to the sense of authenticity it creates. This level of commitment can be found in the modified nomenclature and the pronunciation guidelines provided within this gigantic tome, to just note once example. I wholeheartedly applaud the decision to maintain a Nordic nomenclature instead of butchering the names; the book explains the Umlauts etc. for native speakers of English and dares to assume gamers that actually are smart and interested, dare I say, intelligent. It is one of the aspects that imho too often falls by the wayside nowadays and lends a sense to the book that its readers actually are interested in portraying a concise feeling. That is a big plus, as far as I'm concerned.
The commitment to generating a sense of a believable world is astonishing in its details: From ring-giving to hacksilver as a currency to a concise list of common kennings (hand those out to players!), the flavor generated by the details so lavishly and passionately collected herein, in the end, manage to create a surprisingly respectful and "real" take on the subject matter, putting this tome into the exalted context of the best of the Lost Lands books and their unique vistas.
This never just stoops to a simple reproduction of historic myths, however, - from modifications of the pantheon to minor changes in nomenclature, the Northlands here are always almost like hours, retaining their fantastic nature. And yes, both a massive time-line in the different chronologies found in the Lost Lands, as well as a full pantheon write-up complement this first part of the book. Beyond the class options (which, alas, share the weaknesses I commented on in the review of the Player's Guide) and items, we also receive a collection of magic items - which brings me to another point: The Northlands are intended for gritty and relatively down-to-earth gameplay (15 pt.-buy preferred): As such, magic items are not for sale and rare (YES!) and, as mentioned in the PG, several classes are banned in favor of options that fit with the aesthetic of the North. Once again, I applaud this commitment to the overall vision. Speaking of vision: In this first par of the book, which covers almost 170 pages, we also get a massive gazetteer of the north, with plenty of settlements with full statblocks, overview maps and the like. Moreover, the section contains a rather massive bestiary that includes some seriously cool, fantastic creatures as well as strange fauna - and the critters all get gorgeous b/w-artworks.
But that is not nearly the main meat of this massive section either. Instead, much like in Bard's Gate and similar epic-length tomes by the Frogs, we get an extremely helpful section to bring pretty much any region to life: With random encounters that cover the regular and the weird, strange phenomena and more. Additionally, it should be noted that, by region and theme, adventure hooks are provided by the dozens to bring the respective sections further to life, should the PCs step off the rails.
All right, I know what you've been waiting for...the adventures. Now those of you who have been following this for a while will recall the 4 brief stand-alone Northlands-modules that predated this one and my reviews for them. The lowest-level module clocked, back in the day, in as intended for PCs level 5 - 6, but this saga is made for a whole campaign: As such, we get modules that start at level 1, leading up to those we already know...and then, things go much further. Already played the classic modules? Flashback is the way to go. Seriously. You want to play these.
And at this point, I have come to the section that contains the main meat of the book, the massive campaign of Northlands adventures. It should be noted that the massive amount of maps and handouts amounts to over 150 pages! No, I am not kidding you. This is EXCESSIVELY mapped and better yet - player-friendly maps included FOR ALL OF THEM. That alone is a colossal plus for me. Now, the PCs are intended to be in the employ of the mighty Jarl Olaf Henrikson, jarl of Halfstead and begins in Silvermeade Hall.
As a discussion of the adventures, the following obviously contains SPOILERS. Potential players should jump to the conclusion. One more thing: I usually try to go into a lot of details in my discussions of adventures. If I did that here, the review would probably span at least 20 pages, which, even to my rather obsessive mind, would seem like overkill - as such, I will remain relatively brief and sketchy - this should not be taken to mean that the modules are short (or simple) for that matter; it is just a concession to the format of reviewing a single, ridiculously huge tome.
All right, only GMs/referees around? Great!
Kenneth Spencer's first module "Spears in the Ice", begins harmless enough: The PCs are to escort the Jarl's 3 daughters as they gather flowers in their sacred duty to Freyja for the spring rites - and as such, the beginning is a roleplaying-heavy section that can be used to establish dynamics, characters and yes, even a sense of the idyllic - via a number of small events, the shape of things to come are heralded and actions taken are bound to have serious consequences in the future. When a witch puts everyone to sleep and kidnaps the girls, the characters will have to get back their horses and find the girls in a race against time with various routes to save the girls. While the sleeping spell may look problematic in conjunction with e.g. elves, the module actually handles this minor railroad rather admirably.
Part II of this module, similarly a full-length piece, would be the "Wyrd of the Winter King" - herein, the Jarl sets forth upon his mighty ship, the Long Serpent, towards the farthest North. En route, the PCs discover a floating ice palace. Going ashore and surprised by a blizzard, the PCs explore the place to find it being an abode of the cult of dread Althunak - only by defeating this menace can they return successfully to their ship. This would be a rather grim, environment-driven and evocative piece, including dungeon-exploration.
These massive modules out of the way, we receive a fully updated and modified "Vengeance of the Long Serpent" - and yes, the original, alternate lead-in is still here, but no longer necessarily required. The module presents a free-form exploration of Ulnataland, a North Pole-style region of eternal, unremitting ice - and a storm, as is fated, claims the life of Hallbjorn here, the captain, here, allowing the PCs to step up. The exploration of these icy regions may net the PCs a magical weapon and put them, beyond trekking through the tundra, in conflict with the children of Althunak, breaking the grip of this dread cult over the local population.
From here on out, the PCs venture forth "Beyond the Wailing Mountains" to the city of the lord of winter at the lake of frozen screams. Read that sentence again. All things considered, the book manages to constantly generate an atmosphere so thick and almost palpable that you can almost taste the frigid cold, as the PCs cross these regions into the cold to brave a locale incredibly fantastic. If you're like me and love the theme (and employ, like me, a particularly slower-than-slow XP-progression), you may want to check out LotFP's "Weird New World" for a plethora of arctic threats of the most horrid and gruesome variety - particularly if you're playing the OSR-version of this epic! But that just as an aside.
After this, we're off to one of my favorite among the previously stand-alone adventures in the series, "The Death-Curse of Sven Oakenfist", which assumes that the PCs are wintering with Jarl Anud Cursespear, who once slew the legendary reaver and direct descendant of Odin, the blight upon the world called Sven Oakenfist. Unfortunately, he came to his success and riches by the death-curse of said hero and now, as an old man, the wight of the legend returns and barges into the hall of the Jarl to pronounce a final deadline - on the Feast of Freyja, Sven will kill and destroy everything and everyone who swears fealty to Jarl Arnuld. In order to vanquish the wight, the PCs will have to find a way to unravel his mighty death-curse.
Unfortunately, with essentially a divine bloodline, said death-curse will prove to be rather difficult to find even a HINT to unravel. Thankfully, the three utterly mad daughters of one of the norns might provide the answers - if the PCs manage to best their trials. From defeating a unique dragon to save a beautiful maid, to doing (rather dangerous)chores for a matronly lady and defeating an evil crone in a game (when she's cheating, nonetheless!), the trials are worthy of the legendary daughters - hopefully the PCs don't think they can best the mad demi-goddesses in battle...
If they play along with their mad delusions, they are rewarded with cryptic clues that add up to provide the information to kill the legendary wight - each successful trial also decreases the power of the final boss, unraveling some part of his wyrd, thus providing more than one way of finishing this adventure and rewarding PCs who manage to succeed in all tasks. The final showdown in Sven's cairn sees a furious finale, including a potentially fatal collapse and the heroes receive treasures befitting their actions during the adventure.
The next previously released module, "Blood on the Snow", takes place in Estenfird and could be considered to be the first of the modules that puts, as heralded before, the epic component into focus: Unbeknownst to just about all mighty beings, the beast-cult of the demon god Shibauroth has been gathering its strength: Making its adherents rather stupid, but enhancing them into deadly, primitive, cannibalistic killing machines via twisted runes, the cult has risen and seems to follow a surprisingly organized plan. The PC are to travel to the largest settlement, the town of Three Rivers, where local hero Hengrid Donarsdottir has traveled. On their way, they can recruit essentially a small army of undisciplined followers and hirthmen (alas, no Ultimate Campaign-synergy) to help the beleaguered capital of Estenfird.
On their way to Three Rivers, the PCs will have chances to deal with first encounters against the Beast Cult and, via befriending the Great White Stag, potentially even turn an otherwise lethal ambush upon the bestial cultists. In order to reach the city, they'll also have to sneak past the camps of the unorganized cult. Finally, inside the town, the PCs will have a bit of time to get accustomed to the fully mapped and lavishly detailed town before the horns are sounded and the assault begins - depending on the amount of followers the PCs have recruited, the respective monsters get hurt/decimated. Oh boy - the siege is awesome - standing on doomed ground, the PCs will have to combat elementals, badger-sapper-squads and even keep a war-mammoth from breaking the nigh-impregnable gates - all while ice trolls and drakes ravage the town in one of the most concise, superb depictions of a deadly siege I've ever seen.
As the dust settles, the PCs will be in for a shock - the aasimar warrior-maiden has been kidnapped! Thus, the PCs have to enter a haunted marsh and infiltrate the poison-thorned, hedge-labyrinth of a frozen marsh maze in which the beast cult seeks to sacrifice the daughter of Thor himself in order to bring down their deadly beast-god: The finale sees the Pcs storm the ritual and hopefully free Donar's daughter from her bonds - otherwise, the terror has just begun. Oh, and bravery is required here - essentially the final encounter is insanely hard and requires the PCs to focus on their goal of interrupting the ritual - should they succeed, Thor himself will annihilate the beat cult and scourge it from the lands. And while the treasure is rather weak due to the savage nature of the cult, the Aesir don't forget the PCs, as the module concludes with a feasting held by Thor himself to congratulate the PCs - if they succeeded, that is. If they failed, they'll have a CR 22 Thanatotic Titan on their hands and survival chances that are at best slim...
Oh, and just as an aside: These previously released modules have not simply been copied inside: Details have been streamlined and we actually get Ultimate Campaign-compatible MASS COMBAT RULES!!! EFFFIN' YES!!!
After this truly epic and challenging module, we proceed with "Raven Banners over Gatland", penned by both Kenneth Spencer and master of evocative environments Greg A. Vaughan. Situated against a backdrop of a brutal feud between Gats and Hrolfs, the two jarls have tried to fix burned bridges by marrying their children - but, alas, hostilities are flaring up when the bride-to-be vanishes...and soon after, the groom as well. The PCs and surprisingly pragmatic jarls soon find the hand of the dread Jomsvikings in the abduction - in order to prevent the feud from turning into all out warfare (the jarls have to take the opinions of their folks into account, after all!), the PCs will have to board a ship and survive a horrible marine assault by the Jomsvikings and their supernatural allies...and ultimately, they'll need to capture one of their ships to have a chance to infiltrate the notoriously powerful island of these feared raiders.
Only by securing an alliance with the island's supernatural inhabitants and releasing them from the yoke of a powerful, devilbound witch and her creatures, will the PCs have a chance to infiltrate the nigh-impregnable fortress and rescue the two star-crossed lover...whose wyrd may not be so grim, after all! That is, if the PCs can survive encounters with the unique Jomsbeast and horrid, chthonic creatures - and yes, both of the youngsters may well perish - and all has consequences... This module is PHENOMENAL in all the right ways, managing to blend perfectly the aesthetics of the North and classic Sword and Sorcery literature - no mean feat, mind you!
Kevin Wright's "Plague in Trotheim" brings a completely different doom to the PCs - the dreaded Straw Death has fallen upon the city of Trotheim as the (hopefully!) wedding of the two jarl's children is interrupted by Meg Skulsdottir unleashing this horrid plague upon the unwitting population. A horrid pox is unleashed upon the city and the PCs will deal with the consequences of the horrid outbreak throughout this module, allowing a GM to free-form the encounters - here, godi are taken, lillin roam and fire elemental constructs erupt from funeral pyres for a rather apocalyptic overall theme - and only a mystic tree may provide the means to stop to the outbreak. Thus, the PCs need to hexcrawl through the lethal Andøvan mountains and best the tests of Skrymir...and best underworld dragons at the roots of the world and cure the rot that has befallen the roots of Yggrdasil's sapling - and then, Wotan shows up...and with echoes of Ragnarök's promise, the PCs venture back - provided they live through the hazardous trek back.
Kenneth Spencer and Greg A. Vaughan join forces again in "The Return of Hallbjorn", which resounds with the previous modules: Thought dead, the man returns with tales of Nieuland, mirroring the discovery of the new world and sparking a land and trade rush. Unfortunately, the jomsvikings follow to the new world: And yes, the journey is depicted and the colony and the threats encountered are only exacerbated due to the incursions of the jomsvikings - who also provoke the local skraelings into hostility, as unique threats and a strange prophet escalate the proceedings. This section is literally something I haven't seen before - a colonist tale of the conquest of a new world, with a healthy dose of viking and fantastic aesthetics. And the appendix btw. also allows for one or more PCs to take the mantle of the jarl - and the wilderness exploration of these lands sports a great change of pace in its aesthetics, while still remaining true to the themes. Another glorious winner in my book!
Returning to the Northlands, Kevin Wright & Kenneth Spencer depict a module deeply steeped in the culture and taboos of the North - "The Hallburning" deals with the aftermath of the horrid crime of the mordbrand, a murder-burning where a whole hall and all within have been cowardly burned to death - as depicted in one of the glorious short-stories in the Player's Guide. Gundrik Arison, Jarl of the Vestfelmarken, has been killed, but Runa Gundrikswif survived, against all odds, the horrid ordeal. Some of the perpetrators were caught and the Althing pronounced the criminals free to be slaughtered - and the PCs will probably want to eliminate the cowardly murderers...but there is more to this, namely a horrid conspiracy...the hall-burners are patsies...but there would also be the issue of competing adventuring groups on the hunt...and yes, if the PCs are not wary, they may fall to hall-burners themselves - and beyond exploring tin-mines and testing their mettle, they will also find themselves in dire need of speed - all actions have consequences and, in order to bring true justice, the PCs will have to best the jarl in holmgang...but the deities themselves may actually intervene here! And yes, I abbreviated the structure of this surprisingly brainy module rather excessively - this one is LONG.
Based on material by Kenneth Spencer and written by the dream-team Kevin Wright and Greg A. Vaughan, "Daughter of Thunder and Storm", we rejoin the PCs 3 years after they have taken the mantle of Jarldom. Hengrid Donarsdottir has survived (hopefully) Blood on the Snow, though a stand-in exists. In the wake of Hengrid's devastating raid on the Hall of the Hearth Stone, the PCs are summoned, for the daughter of Donar has stolen Kroenarck, the legendary sword of the High Køenig and most sacred artifact of the Northlands. The PCs are to return this sacred blade, but a godi present, in the fits of prophecy, tells them about Hengrid being possessed and fighting the dread entity, beseeching the PCs to save her. The PCs must venture to the Virlik Cliffs, where their old foe Althunak raises his deific head - the entity is planning to usher in the Fumbulwinter to kickstart Ragnarök. Stakes high enough for you? Yeah, we're talking "epic" indeed, as the PCs follow the deific scion, still seeing signs of her struggle against the Lord of Winter - the PCs have to survive the creatures of the wild, the agents of the Lord of Winter and brave the legendary mountain Helgastervän's volcanic tubes, venturing to the gates of hell itself, opened by the sword - to save Donar's daughter, the PCs will have to venture into the Gunningagap and battle for the soul of the divine maiden - and yes, while combat is a means of solving this, we actually have a roleplaying encounter as an epic finale here: Smart PCs will have a significantly easier time, as no less than 5 iterations of this final fight are provided! Kudos indeed!
And there we are. 6 years later, in the final adventure herein, penned by Greg A. Vaughan and based on Kenneth Spencer's material. Levels 16 - 18. High level as can be. "The Broken Shieldwall" builds upon the consequences of the actions in previous modules and if the PCs have done their jobs right, Jarl Ljot Gatson, asks the PCs to raise an army to save his son and grandson from distant Mulstabha, braving the treacherous North Seas as they gather their forces, returning to Trotheim, Estenfird, speaking to the Althing, dealing with jomsvikings once again...and more, the PCs will amass an unprecedented host to lead into bloody battle. The war is on and the PCs will have to lead their campaign and infiltrate the citadel of Jem karteis, where the mysterious, ancient people of daemon-worshiping Huun and their legions prove to be the masterminds behind the plot. With no time and magic power, the PCs will also have to thwart a deadly assassination attempt on the man fated to become High Køenig of all the North...all while routing the forces of one of the most deadly and dangerous nations ever to spread its vile influence over the Lost Lands! And yes, once again, this truly epic, mind-boggling modules pits gigantic armies against each other in the most epic open warfare module I have ever seen - one that also pits the PCs against a titanic, quasi-deific monstrosity that will test their mettle to the breaking point. I have rarely, if ever seen such a fantastic conclusion to a saga.
Editing and formatting, particularly taking the sheer volume of this tome into account, are excellent, particularly considering that builds used herein do employ interesting combinations of creatures and crunch. Kudos to the editors Jeff Harkness, Dawn Fischer and Greg A. Vaughan. Layout by Charles Wright adheres to a printer-friendly two-column b/w-standard and the pdf comes fully bookmarked for your convenience. If you can, though, you may want to get the massive hardcover - build to last in the tradition of Frog God Games. The artworks deserve special mention: Artem Shukaev, Rowena Aitken, Colin Chan, Tyler Clark, Felipe Gaona, Chris McFann, MKUltra Studios, Terry Pavlet, Blake Wilkie, Brian LeBlanc, David Day, Talon Dunning, Eric Lofgren, Cara Mitten, Nate Pride, Richard Thomas and Tim Truman have created a book that is gorgeous to look at: Many of these artworks are absolutely stunning and incredibly evocative. A precious few artworks of monsters have been used before (which often represent the weaker pieces), but the vast majority (as in: 90%+) is new, original and glorious. The massive tome comes with exquisite amounts of solid maps in b/w, which, while less staggering, map pretty much EVERYTHING. The inclusion of player-friendly, key-less maps is a huge plus as well. The massive tome also sports a really nice full-color poster map of the Northlands on the inside of the back cover - big plus there as well.
The work of three men: Kenneth Spencer, Greg A. Vaughan and Kevin Wright - and it still feels like this one, amazing, whole, legend. The voices of the authors never clash and all is subservient to a shared vision of epic proportions that encompasses what's best about classic sögur, the fantastic and sword and sorcery. This book has managed to blend these potentially disparate elements into an incredibly concise whole. And, as you know by now, I am EXTREMELY particular about "my" North: Scandinavia and the old myths have a very special place in my heart and I'm extremely picky in what's "right."
The authors get it. They show a keen understanding of what works and what doesn't. Unlike a few of the stand-alone modules, none of the modules in this tome even remotely feels like its Northlands aspects are window-dressing: The themes resonate with a poignancy and internal consistence that is frickin' phenomenal and a pure joy to read. Time and again while reading this tome, I put it away. Why? Because I honestly wanted to savor every page. I didn't want it to end. It was one of the tomes I read when a series of frustrating reviews (writing bad reviews sometimes really does a number on me) had demoralized me. I read it when I had a bad day. For half a year, just reading this book has brought me more joy than you can probably fathom. It's that good.
While it does not have a linear plot per se, those of you who don't like the sandboxy nature of many Frog God Games books, well, this does deliver the more stringent and sequential sequence you wanted - though frankly, with the epic, multi-year timeframe of the saga, you will very well have a ton of opportunity to run your own material as well or insert other modules.
I am honestly sad to write this review. Why? because it means that the Northlands Saga, at least until I can run its entirety, is over for me. Now, this is not a perfect book: The player-content, as mentioned in my review of the Player's Guide, could be better. And while everything fits perfectly together, while consequences are evident, there could be a bit more repercussions from module to module, as far as I'm concerned.
Yeah, that's about everything I can say that could even be remotely construed to be negative.
The Northlands Saga, even in Frog God Games' canon of exalted adventure books, ranks as one of the best I have read. This gorgeous campaign delivers, with panache and aplomb, on the promise made of a true, Northern campaign, and that without bashing you over the head with Ragnarök. The themes resonate, a zeitgeist of the end-times seems to be slowly gaining traction, but if the PCs excel at their task, they may end this book on a truly heroic note. As an aside: This saga manages to portray high-level adventuring surprisingly well: Will the vast resources, epic armies clashing and ever more global problems, with metaphysical threats etc., the emphasis on roleplaying and the importance of brains is never lost - this is a book for roleplayers indeed. That does not mean, however, that there is not ample, amazing combat to be found herein - quite the contrary! The Northlands Saga manages to perfectly convey the grit and grime of the North, manages to depict, time and again, a harsh land steeped in mythology and horror, yes, but also in tantalizing beauty and wonder. This is not grim, nor is it dark. In a sense, it almost feels like a chronicle of a North that almost was, that could have been in another time, another world.
You know, I was excited for this and afraid at the same time. I am not a wealthy man and supporting a KS like this, for such a big book, is something I can't afford often. I also have a tendency to be very, very skeptical and nitpicky regarding the North. I also am not one of the guys who wants to like every KS I invest in; I am too jaded for that - years of reviewing will do that to you. ;) Supporting the KS for this book was only made possible by pinching pennies left and right for a prolonged period of time. TOTALLY WORTH IT! Worth every single day. I guess it was my wyrd to cave-in and get it -wyrd bið ful aræd.
This is epic and amazing in all the right ways, a thematically incredibly concise, glorious book that, according to my projections, should yield AT LEAST a whole year of gaming, probably multiples. And even if you don't want to run the whole saga, you can easily just extract individual modules - the plus-side of being less driven by an AP-like plot and more by the players and how the PCs interact with their surroundings.
This ranks among the cream of the crop. This book is exalted and a masterpiece that deserves an honored place on my book-shelf. If you're even remotely intrigued by vikings, northern themes, sword and sorcery, gritty gaming or just want a change of pace: You'll be very hard-pressed to find anything better than this magnificent monster.
The Frogs do it again, as far as I'm concerned - this is absolutely phenomenal and worth 5 stars + seal of approval and is a no-brainer candidate for my Top Ten of 2016. Heck, who am I kidding here, seriously? It'll score high on that list!
The one thing that really galls me about this book? It's unlikely that we get Northlands Saga II anytime soon and, even after more than 800 pages of Northlands, I still want more. And yes, I am aware that even now, even after all this praise, I can't properly convey how much I love this tome. Apologies, dear readers...but see for yourself. The North beckons.